The exuberant enchantments of the singing, dancing musical meet the feminist, formalist sensibility of cinematic visionary Chantal Akerman in this uniquely captivating vision of love and survival in the age of late capitalism. Amid the consumerist wonderland of a shopping mall, a cadre of store employees bounce in and out of one another’s arms in a cycle of breakups, makeups, misunderstandings, and reunions, their romantic roundelay punctuated by imaginatively stylized production numbers. Working with frequent star Delphine Seyrig and a remarkable team of writers—who between them penned everything from JULES AND JIM to DESPERATELY SEEKING SUSAN—Akerman deftly balances the shiny pop pleasures of the genre with piercing variations on her signature themes, including a startlingly moving reflection on Jewish resilience and the legacy of the Holocaust老朝奉当然有着不亚于许一城的鉴宝能力，但他却没有对古玩的敬畏之心，古玩在贰心里，是可以仿制、可以交易的器具，但在许一城的心里，倒是鲜活的汗青，这是两个人最大的分歧吧。